![]() ![]() "That was something I was deliberately seeking," adds McDonald. The 414 contains the same capsule as the classic AKG C12 used on greats like Frank Sinatra and Billie Holiday, giving it an unmistakably vintage sound. ![]() "It was all we could really afford in State of Art," McDonald confessed. In this article, we'll highlight some of the secret ingredients that made Dummy a classic.Īccording to engineer Dave McDonald, the AKG C414 was the microphone of choice for Beth Gibbons' vocals-partly because of its signature sound and partly out of necessity. So how did Portishead craft the signature sound of Dummy? Turns out it was a mixture of creative sampling, adventurous recording techniques, and some sick vintage gear. ![]() The opening bars of "Mysterons" give you a taste of the album's sonic palette: minimalist, tremolo-laden guitar parts, expert turntablism, crackly sampled rhythms, booming 808 bass, entrancing synthesizers, and of course, Gibbons' unparalleled vocals. And it all began 25 years ago, when the trio of DJ and sampling guru Geoff Barrow, guitarist Adrian Utley, and vocalist Beth Gibbons released their debut album, Dummy, bringing their uniquely dark, melodic take on hip-hop to the masses.Īside from the undeniably excellent songwriting and tasteful musicianship on display, Dummy is primarily an album of texture-something that is fully apparent within the first minute of the record. Hip Hop artists took their music from the underground and brought it to the rest of the world this year.īy the 1980s, hip hop was ready to explode onto the scene, and the 90s saw it dominate the globe.Although Portishead weren't the first group to explore the sonic territory that would become known as trip-hop (that honor goes to their peers in Massive Attack), the Bristol, UK-based group is now practically synonymous with the genre. While DJs and MCs performed throughout the decade, most artists had to wait until 1979 to get their records released finally.ġ979 was a magical year for hip hop, and it all started with The Sugarhill Gang. So those were the best 70s hip hop songs. Top Hip Hop Songs Of The 70s, Final Thoughts This beat takes a backseat to strange and hypnotic synthesizer sounds and high-reverb vocals from Dr. The song features a subdued sample of “Ain’t No Stoppin Us Now” by McFadden & Whitehead. By the 1980s, most rappers adopted their rhymes to slower BPM tracks. Love & Sister Love slowed the speed down. While most rappers were rapping over high BPM disco music, Dr. Released in 1979 by Heavenly Star Records, “Doctor Love & Sister Love Rap” features a slowed-down groove throughout its run time. “Rapper’s Delight” by The Sugar Hill Gang
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